AVC: How do you establish that kind of creative control?
RG: I just demand it. I just simply wouldn't do anything that I wasn't terribly in charge of. I don't let anything go. I worry about the font on the back of the DVD, and I'll do this as long as that continues. Even if it does continue, I could still get bored with that, but I certainly wouldn't compromise anything.
AVC: When you're working on something, do you ever have to struggle to tell the difference between comedy that can succeed commercially and what you think is good?
RG: Never. It doesn't come into it. We only do what we think is good and what we're happy with. I do that in stand-up, I even do it with my children's books. I don't do market research, I don't have focus groups, I don't care. I don't care if it fails, honestly. I'd rather have something that's completely mine fail than something succeed that I'm not proud of.